{"id":3995,"date":"2020-01-30T19:34:07","date_gmt":"2020-01-30T18:34:07","guid":{"rendered":"http:\/\/chimoecheverria.com\/?page_id=3995"},"modified":"2020-04-30T21:59:42","modified_gmt":"2020-04-30T19:59:42","slug":"dreaming-paths","status":"publish","type":"page","link":"https:\/\/chimoecheverria.com\/en\/bae34-home\/dreaming-paths\/","title":{"rendered":"Dreaming Paths"},"content":{"rendered":"
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DREAMING PATHS – UTAD<\/h3>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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(Audiovisual montage created using gameplay images and sound produced for the game)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In May 2014, Jos\u00e9 Manuel Garc\u00eda Franco, Director of the Master of Video Game Development at the U-Tad Technological University, with whom I had already had the opportunity to work at Sokoh Studios, proposed to participate as a musician in the project of one of the groups. of the master.<\/span><\/p>\n

My job is to compose the music and design the sound for a fantastic Tower Defense style game with colorful 3d art for mobile devices.<\/span><\/p>\n

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As a composer and sound designer my tasks were:<\/span><\/p>\n

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- Composing music with orchestral instrumentation and according to the aesthetics of the game for 5 different scenarios.<\/span>
- Compose music and musical effects on the same line for loading, menu, start, win and lose, pause and resume.<\/span>
- Design almost 50 sound effects through audio editing (the engine used did not encourage the use of midleware solutions).<\/span>
- Make sound and musicalize a game presentation animation for the defense of the project.<\/span>
- Record the sound production in the appropriate documentation.<\/span>
- Maintain constant communication with the development team.<\/span><\/p>\n

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It is a project that I am very proud of artistically, because I put all my creativity at stake. It was very satisfying to work with the team and try to respond to their criticism and improvement comments for every proposal I presented to them. So the result was the product of teamwork.<\/span><\/p>\n

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Although the intention was to publish the game, it could not be done due to some technical problems with the final versions. Participating in this end-of-master project was a tremendously exhilarating experience and elevated my abilities as manager of the sound section in a game to a higher level. The experience of working with creative and motivated people was wonderful and as it began to be a constant, it made me meet people with whom I would work again in the future.<\/span><\/p>\n

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These are the musical themes that I composed for each of the stages:<\/span><\/p>\n

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